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Catalogue raisonné of the 119 Lettrist reviews published between 1946 and 2016.
Lettrism --- kunst --- magazines --- tijdschriften --- lcatalogue raisonné --- 7.038 --- 7.038/039 --- naslagwerk --- literatuur --- film --- lettrisme --- twintigste eeuw --- Aesthetics --- Art --- Literature --- Typewriter art --- Visual poetry --- Visual literature --- Lettrisme
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This book investigates a particular kind of architecture that thrived in the 1950s in Cadaqués, a small Spanish fishing village on the Costa Brava. It explores a number of holiday houses built between the mid-1950s and 1960s by a group of architects who shared bonds of friendship and architectural affinities, as well as connections with the international Modern movement (including José Antonio Coderch, Lluís Clotet, Federico Correa, Alfonso Milá, Oscar Tusquets, Manuel Valls). Observations on the common threads that link eight case studies are enriched by a photographic essay by David Grandorge and by detailed architectural drawings on a number of significant projects of the time. An interview with the authors Stephen Bates (Sergison Bates architects, London) and Fernando Villavecchia (Liebman Villavecchia Arquitectos, Barcelona) provides a background to their shared fascination with Cadaqués. A timeline contextualises the projects against the backdrop of historical events and the milestone in the lives of the clients and architects who made the village a unique locus in the history of architecture.
72.03 --- 72.036 --- Spanje --- Cadaqués --- 72.038(460) --- Architectuurgeschiedenis --- 20ste eeuw (architectuur) --- Modernisme (architectuur) --- Architectuurgeschiedenis ; 1950 - 2000 ; Spanje --- Architecture --- Espagne --- 20e siècle
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kunst --- eenentwintigste eeuw --- twintigste eeuw --- galeries --- Sint-Lukasgalerie --- Brussel --- 7.038/039 --- België --- kunstonderwijs --- Sint-Lukas --- Art --- art galleries [institutions] --- Sint-Lukasgalerie [Brussels] --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019
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The book, which Germano Celant had been working on for years, is published posthumously and represents the professional and spiritual testament of the curator, known and respected internationally. The volume tells the logics of exhibiting that characterized Celant’s work (Genoa, 1940 - Milan, 2020), presenting, in chronological order, a selection of 34 exhibitions: from Arte povera – Im-spazio, Genoa, 1967, to Post Zang Tumb Tuuum: Art Life Politics. Italia 1918-1943, Milan, 2018, passing through Identité italienne. L’art en Italie depuis 1959, Paris, 1981; Futuro Presente Passato, 47. Venice International Art Exhibition, 1997; When Attitudes Become Form. Bern 1969/Venice 2013, Venice, 2013; and Arts & Foods. Rituals since 1851, Milan, 2015.
Art --- Exhibitions --- Celant, Germano, --- 7.075 --- 7.038 --- Arte Povera --- Tentoonstellingen ; curator Germano Celant ; 1967 tot 2018 --- Kunstmanagers, producers, promotors --- Kunstgeschiedenis ; 1950 - 2000 --- Art museum curators --- Art, Modern --- Biography. --- Celant, Germano --- Muséologie. --- Commissaires d'exposition.
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An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
830 "18" --- 094:830 --- 7.038 --- 094:830 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Duitse literatuur --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Duitse literatuur --- 7.038 Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Duitse literatuur--Negentiende eeuw --- German literature --- Art, Abstract, in literature. --- History and criticism. --- Young Germany --- Abstract art. --- German literature. --- abstract expression. --- aesthetic development. --- art history. --- art origins. --- art theory. --- artistic innovation. --- cultural influence. --- literary influences. --- literary themes. --- modern art.
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"MY FAVORITE MUSIC IS THE MUSIC I HAVEN’T YET HEARD." Deze vaak geciteerde uitspraak van componist John Cage is van toepassing op heel veel componisten én luisteraars. In de westerse kunstmuziek van na 1950 is veel moois te ontdekken: de zoektocht naar vernieuwing kende een ongeziene piek, die uitwaaierde in talloze stromingen en tendensen. Veel van die stijlen klinken menig luisteraar vreemd in de oren en net daarom focust dit boek op dat segment van de ‘nieuwe muziek’. Een kleine muziekgeschiedenis van hier en nu wil een gids zijn om het veelzijdige landschap van de nieuwe muziek te verkennen, met het volle besef dat geen enkele wandelroute de volledige omgeving kan laten zien. Dit boek combineert een overzicht van de belangrijkste ontwikkelingen en hun muziekhistorische wortels met een thematische dwarsdoorsnede van begrippen zoals tijd en ruimte, multimedia en de rol van het internet. Ruim een dozijn auteurs verleende zijn expertise aan deze publicatie. De meesten onder hen zijn verbonden aan universiteiten en conservatoria in Nederland en België. Allen zijn ze begeesterd door nieuwe muziek. Het boek is dan ook niet alleen bedoeld als handboek voor muziekstudenten, het richt zich ook tot een breed publiek van nieuwsgierige cultuurliefhebbers en (toekomstige) luisteraars van hedendaagse muziek.
78 --- muziekgeschiedenis --- muziek --- Aesthetics of art --- Music --- Contemporary [style of art] --- 78.038 --- 78.039 --- Muziekgeschiedenis ; 20ste en 21ste eeuw --- Muziek ; 1950 - 2000 --- Muziek ; 2000 - 2050 --- hedendaagse muziek --- anno 1950-1959 --- anno 1960-1969 --- anno 1980-1989 --- anno 1990-1999 --- 78.28.1 --- 78.28.2 --- 78.48 --- 78.29.1 --- Muziekgeschiedenis --- 20e eeuw --- 21e eeuw
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First published in 1971, *A Documentary HerStory of Women Artists in Revolution* documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world. Women Artists in Revolution (W.A.R.) was founded as the women's caucus of the Art Workers' Coalition and was active from 1969 to 1971. This facsimile publication gathers manifestos, statements, and declarations by W.A.R. members; articles and reports about gendered and racialized discrimination in the arts; pro-abortion fliers and protest ephemera; and grant applications and reports detailing the founding of the Women's Interart Center in spring 1970. Also included are documentation of key actions, including the 1970 Artists' Strike against Racism, Sexism, Repression, and War; and correspondence with officials at the Whitney Museum of American Art, the Guggenheim Foundation, and the Museum of Modern Art calling for 50 percent gender equity in exhibition programming, increased grant and fellowship support for women, and structural representation at the management and curatorial level, among other demands.
Women artists --- kunst --- kunsttheorie --- gender studies --- feminisme --- 7.01 --- 7.038 --- twintigste eeuw --- Verenigde Staten --- Artists, Women --- Women as artists --- Artists --- Women Artists in Revolution. --- Women's Interart Center (New York, N.Y.) --- Women's Interart Center, New York. --- W. A. R. --- Art --- racial discrimination --- sex discrimination --- feminism --- anno 1960-1969 --- anno 1970-1979 --- Sociology of the family. Sociology of sexuality --- #breakthecanon
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kunst --- 7.01 --- cultuurfilosofie --- 130.2 --- 7.038/039 --- Afrika --- activisme --- kunst en politiek --- eenentwintigste eeuw --- twintigste eeuw --- nineties --- gender studies --- racisme --- feminisme --- kunsttheorie --- Art --- interviews --- painting [image-making] --- photography [process] --- revolutions --- performance art --- political art --- computers --- educators --- activists --- Böhm, Kathrin --- Chetwynd, Spartacus --- Ndiritu, Grace --- Sambunaris, Victoria --- Emsley, Laura --- Bacos, Nina --- Popp, Nancy --- Sterling, Lisha --- anno 1990-1999 --- Popular culture --- Book
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Every few years since 1955, the creators of documenta set themselves the task of providing an insight into current trends in art and of capturing the zeitgeist of recent art production.Despite its name, documenta's primary concerns are neither with the simple documentation of individual artists and their work nor with developments in art history, but instead with providing a historical space where art reflects and comments on social constellations and political or social change, or demands it through art interventions. documenta is not only a historical testimony and event, but also a show at which?throu the medium of art?self-interpretation becomes the catalyst for debate and historical change. For the first time, this book places the history of documenta in the context of the political, cultural and societal development of Germany during the second half of the twentieth century, illustrating how art and history can be explored in terms of a mutually dependent relationship.
Exhibitions --- Art --- Art, Modern --- Art and society --- Political aspects --- kunst --- Oost-Duitsland --- West-Duitsland --- Duitsland --- museologie --- tentoonstellingen --- 069 --- 7.038 --- koude oorlog --- Documenta Kassel --- kunst en politiek --- twintigste eeuw --- Kassel --- Kulturgeschichte --- Deutsches Historisches Museum --- Kalter Krieg --- DDR --- Werner Haftmann --- Joseph Beuys
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Our time is an urban age. More people live in cities than ever before, cities are growing larger and denser than ever, and urbanity is reaching new levels of complexity. Since around the turn of the 20th century, as urban populations steadily increased, architects and planners have faced the challenges of designing new housing and public space. Yet they also needed to respond to emerging societal challenges, such as reconstruction after two world wars, decolonisation, economic and political crises, growing climatic concerns, and cultural shifts. Tom Avermaete and Janina Gosseye, associate professors of architecture at TU Delft, present a definitive history of urban design.
Urban design --- History --- Environmental planning --- 71.03 --- 71.036 --- 711.4 --- Stedenbouw (geschiedenis) --- 20ste eeuw (stedenbouw) --- Twintigste eeuw (stedenbouw) --- Stedenbouw (theorie) --- 71(091) --- 71.038 --- 71.037 --- Stedenbouw ; 20ste eeuw --- Stedenbouw. Ruimtelijke ordening ; geschiedenis --- Geschiedenis van de stedenbouw ; 1950 - 2000 --- Geschiedenis van de stedenbouw ; 1900 - 1950 --- Stedenbouw. Ruimtelijke ordening ; stedelijke ontwikkeling
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